In this episode, I’m joined by acclaimed live film director Matt Askem, a creative force behind some of the most iconic concert films of the last 25 years. From capturing the raw intensity of Paul Weller on stage to working with global superstars like Adele, U2, Muse and Take That, Matt has spent decades translating live music into cinematic storytelling.
We dive into the making of Weller’s 2000s concert films, the challenges of filming massive crowds versus intimate venues, and how Matt’s perspective has evolved from fast-cut MTV-era energy to a more timeless visual style. He shares behind-the-scenes stories from Hyde Park, Braehead, Studio 150, and the legendary 100 Club, along with reflections on creativity, collaboration, and what makes artists like Weller so enduring.
It’s a fascinating conversation about music, filmmaking, and the art of capturing performance at its most authentic.
Check out Matt’s incredible portfolio here
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Matt Askem – Live Music Director – Hyde Park, Braehead, Studio 150, As Is Now… – Paul Weller Fan Podcast
Hyde Park 2002
Live at Braehead 2002
Studio 150 Live
100 Club
Dancing Through the Fire
Matt Askem is one of over 250 contributors to my Sunday Times Bestselling book, Paul Weller: Dancing Through the Fire, which is available now.
Click on the image below to grab your copy…
Braehead Arena is an ice-rink outside Glasgow and a dreadful venue for a gig. I’ve no idea why it was chosen for a show, never mind one that was filmed.
The original date sold out, so a second was added, although the added date was actually the night before. That second date wasn’t well communicated in Weller World and didn’t sell out. I was in the seated area with my family for that one. Sitting at an angle to look at the stage, when the seats were designed to look forward onto the rink made for an uncomfortable experience. Plus the sound up there was poor.
For the second night (originally the first show…) I was down in the standing section, where the sound and atmosphere was much better, and made for a more enjoyable gig.
Thankfully he has never played there again.